I’ve been pretty excited to write a “10 fun facts” about the sitcom Friends. You see, this was the show that sparked my addiction to television. I must have seen each episode over 10 times and I still love it. I remember the first time I watched an episode. I must have been around ten years old and it was “The one with the Chick and a Duck”. I was instantly hooked. So hooked that I painted my room lilac and my dad felt the need to tell me that what I saw on the small screen “wasn’t real life”.
When I published this article about my office a while back, some of you guys requested a closer look into my bookshelf. I thought the addition of the new Taschen book Pretty Much Everything, covering the work of Inez Van Lamsweerde & Vinoodh Matadin, was the perfect occasion to start!
Inez & Vinoodh met in their hometown Amsterdam when they were studying in the 80s and have had a professional and romantic relationship ever since. For over 25 years now, the couple has been collaborating on creating beautiful images (photographs and videos) for (print) media and brands. Their amazing editorials and advertisements and portraits have shaped the face of fashion since their rise to fame in the early 90s.
Pretty Much Everything covers, well, pretty much everything by the creative duo. I always thought their work was mostly marked by their nudes, which has never been “my thing” and although they have made their fair share of naked portraits, there is so much more to their work than that! I was surprised to see that I recognized so many of their pictures, without knowing it was their work. Case in point: The 2000 ad for my perfume, an image that still looks relevant today. This really does prove how timeless their work is. An endless source of creative inspiration for any fashion and photography lover!
Hilary at Midnight – W Magazine 2007
Chloé Sevigny – Purple Magazine, 2006
Daniel Day Lewis – V Magazine, 2006
Carmen Kass – Narciso Rodriguez for Her, 2000
James Franco – Stand and Deliver!, 2011
Arizona Muse as Norma Jeane – Vogue Paris, 2011
Christy Turlington -YSL campaign 2009
Pretty Much Everything
Inez Van Lamsweerde & Vinoodh Matadin
M/M Paris, Glenn O’Brien
I had been looking forward to the release of Wes Anderson’s Grand Budapest Hotel for quite some time, so when the movie hit the theaters here in Belgium, I just had to go and watch it as soon as I could. With the obligatory popcorn in hand, I was immersed in Wes Wonderland almost immediately and sure as hell not disappointed. Maybe even still a little surprised.
Wes Anderson’s eighth film is a delightful farcical flick. Light, humorous and marked by impeccable comedic timing on the surface, but also a grim portrait of the Horrors of early 20th century Europe underneath. All against the backdrop of the imaginary country of Zubrowka, the Grand Budapest Hotel portrays the atmosphere of the 1930s in a middle European country on the verge of total chaos and mass murder. So slaughter with a side of bubblegum pink it is. Wes wouldn’t compromise his picture perfect microworld for this storyline, nor would we want him to.
Most of the story is told in a flashback as it is being recalled by Zero, the now owner and once lobby boy of the Grand Budapest hotel. At a young age, Zero flees his country and becomes the protégé of the hotel’s flamboyant concierge Mr. Gustave (Ralph Fiennes). What happens next is a series of slapstick occurrences including old (but sexually active) ladies, a painting called “Boy with Apple”, colourful pastries and stop motion chase sequences. All with stellar performances by Fiennes, F. Murray Abraham (Zero the older), Tony Revolori (Zero the younger), Willem Dafoe, Saoirse Ronan, Jude Law, Edward Norton, Mathieu Amalric, Adrien Brody, Jeff Goldblum, Tilda Swinton, Harvey Keitel, Jason Schwartzman, Bill Murray and Owen Wilson.
A Wes Anderson movie never stops when leaving the cinema, does it? It’s always the start of wanting to know more about all the visual impulses you’ve just experienced. At least it is to me. Let’s explore behind the scenes!
The Grand Budapest Hotel was filmed on location in Germany. Mainly in a little town on the border of Poland called Görlitz, but also partly in Berlin. The interior of the grand hotel lobby is actually this Art Nouveau Department store in Görlitz.
The Görlitzer Warenhaus is one of the few Jugendstil stores of this grandeur that survived World War II. The building consists of 6 floors and balconies, and the crew set up their offices on the top floor during filming, while staying in a local hotel all winter.
The store has been out of use since 2010 and proved to be a great location. “In the back of my head I’m always trying to calculate, ‘What am I getting myself into to restore this place as opposed to just building it from scratch?’ It’s always a balance like that. The department store in Görlitz was in perfect condition, just perfect. I mean everything. The stairways, the railings, the chandeliers, the stained-glass ceiling – it was all just immaculate.” production designer Adam Stockhausen tells Dazed Digital.
Using the US Library of Congress archive of photochrom images from 1895 to 1910, and inspired by the Grandhotel Pupp in the Czech Republic, Hotel Adlon in Berlin and The Savoy in London. Wes and his team transformed the dusty, abandoned building into the amazing hotel you see on screen.
The hotel’s pool and spa is actually an early-1900s bathhouse, discovered in Görlitz during production. The hotel restaurant was set in a performance space.
“Görlitz was a big challenge,” says art director Stephan Gessler. “Because Wes loved it there so much, the whole film was shot in and around Görlitz. It was a huge effort in logistics and timing to get all the scenery from Berlin there in time.” Here’s quite the awesome clip of Bill Murray enjoying the availability of Bratwursts close to the set.
Academy award winning Costume Designer Milena Canonero provided the costumes for the Grand Budapest Hotel. Canonero is best known for the costumes she made for movies like A Clockwork Orange, Out of Africa and Marie Antoinette. She previously worked with Wes on movies like The Darjeeling Limited and The Life Aquatic with Steve Zissou, and the recent Prada short Castello Cavalcanti. “One has to immerse oneself into his world. I love his world. It seems naive at first glance but it is extremely sophisticated and has many layers,” says the Academy Award–winning costume designer about working with Wes Anderson to Vogue. “Working with Wes is always different because he takes me to different places and different characters and situations, but however different they may be, he creates a world of his own that is very specific to him,” she says. “The more I work for him the more I see he is crystalizing his cinematic style to go with it.”
Canonero was involved in The Grand Budapest Hotel from concept to realization. The goal was to immerse viewers into the Republic of Zubrowka during the interbellum. She also found some great partners in doing so. Prada made Joplin’s (Willem Dafoe) wonderfully detailed leather trench and Madame D.’s (Tilda Swinton) 21-piece luggage (as Louis Vuitton once did before them), and Fendi provided its signature mink embellishments to her Klimt-inspired coat.
Apart from Klimt, photographers like Augustus Sand, Man Ray, George Hurrell, and painters like Kees van Dongen, Tamara de Lempicka and George Grosz served as inspiration.
“The look of each actor has to have its raison d’être.” says Canonero to Vanity Fair. In this case, Tilda Swinton’s coat and Willem Dafoe’s Prada leather trench were important pieces for their characters. For Mr. Gustave that translated to the color of his uniforms.
-3- Set design-
For the outside of the Grand Budapest Anderson decided to use a 2,8m tall handmade miniature model. For the chase sequence, Anderson chose to use stop motion effects rather than computer animated effects. The director feels this is more in line with his aesthetic: “The particular brand of artificiality that I like to use is an old-fashioned one.”
Anderson and production designer Adam Stockhausen did extensive research for the design of the hotel, looking at vintage images, old typography and signs from Eastern Europe.
Michael Lenz painted the background of the hotel and inspired it on the work of 19th century landscape artist Caspar David Friedrich.
-4- Graphic design-
Annie Atkins was the lead graphic designer on the movie and designed every graphic prop used. She’d been working on the not yet released animated feature The Boxtrolls and a designer at the studio recommended her to Wes. Atkins worked closely with Anderson and the production designer Adam Stockhousen to make the State of Zubrowka come to life. Flags, banknotes, postage stamps, everything had to be designed.
For the physical execution of the props, Atkins used traditional methods where she could: a 1930s typewriter for typewritten documents for example, or a dipping pen for handwriting.
The team actually used few typefaces, as most lettering was created by hand. “The beautiful thing about period filmmaking is that you’re creating graphic design for a time before graphic designers existed, per sé. It was really the craftsmen who were the designers: the blacksmith designed the lettering in the cast iron gates; the glazier sculpted the lettering in the stained glass; the sign-painter drew the lettering for the shopfronts; the printer chose the type blocks for the stationery.” Atkins tells Creative Review.
The Grand Budapest Hotel sign was based on an old hotel sign from 1930s Cairo. It’s the little details like the uneven hand-drawn lettering that Wes loves. “On the one hand he’s a perfectionist; on the other hand he doesn’t want anything to look machine-made, or digitally produced in any way.” says Atkins. For the 1960’s lobby, the signage was based on examples Wes and Adam had seen in the former communist East Germany. “Don’t do this, don’t do that, do this but only like that!” The style has been based on an old sign at Yorckstraße subway station in Berlin.
Ernst Lubitsch was a real inspiration for graphic design for the movie. “Actually, I don’t think it’s just the art direction of the film that was influenced by Lubistch, but also the action–he gave the same films to Jeff Goldblum, Adrien Brody, and the other actors to study, too.” Atkins tells Nylon.
Even though much of her work will never be seen by a cinema audience, it’s still necessary to create a world that inspires the actors. For example, Ralph Fiennes’ Mr. Gustave had a personalized notebook with lined pages, rather than blank, as the actor felt it was more in sync with Gustave’s style.
Annie’s favorite piece in the movie is the pink hardback that opens the story. She got to take one of the pieces home after shooting.
The idea of the movie came in two parts. In a bookshop in Paris Anderson discovered a novel called Beware of Pity, by the Austrian writer Stefan Zweig. That led him to another work of Zweig: The Post Office Girl. This is a story in which a postal clerk is summoned to a grand hotel by her aunt, who then presents her as a society beauty. “I loved the way Zweig often sets the stage for his stories by having his narrator meet a mysterious figure who goes on to tell him the whole novel. And I could feel a movie coming out of this.” Anderson tells The Telegraph.
The part about a character who inherits a valuable portrait from an elderly admirer, much to the disgust of his admirer’s family was based on a concept he and his friend Hugo Guinness, had been thinking about for years. Anderson decided to piece the two ideas together. Thank God he did.
Images by Fox Searchlight Pictures
Picture of The Görlitzer Warenhaus via Wikipedia
Ever wondered what Audrey Hepburn would have looked like with some serious ink? No? Me neither, but here’s the answer anyway! Seattle based artist Cheyenne Randall, has a weird and kind of wonderful Tumblr featuring fictionally tattooed icons. A creative use of photoshop indeed. Some of my favorites…
Parks and Recreation is a show that has really grown on me. I admit I wasn’t immediately hooked on this one, but “stuck it out” because of, well, the awesomeness that is Amy Poehler. I’m glad I did, because this show is actually amazing. Leslie’s good intentions, April’s dry remarks and oh… Ron Swanson. So without further ado…
Oh Pinterest, you make me discover all sorts of pretty things and I love you so. Like these pictures by Ward Roberts of various sports fields called “Courts”. So random, pure beauty! Check out Roberts’ entire set of pictures and other work here.
Because of my recent Mindy Kaling addiction, I finally picked up watching the Office US. I got hooked pretty quickly and 7 seasons later, that dysfunctional little office almost seems like an on screen family to me. Great stuff. I really enjoyed the fun fact list I did on Modern Family and decided to make it a regular thing. So here’s 10 fun facts about The Office US!
I recently got an e-mail about Modern Family. I have to say, these are my favorite kind of e-mails: “We’ve noticed on twitter that you’re a fan.”. If I could write a small review about the fourth season of the award winning comedy show? Don’t mind if I do. You see, the fourth season of Modern Family has just been released on DVD here in Belgium. Perfect for cosy nights in, general laughs or gifting under the Christmas tree.
I’ve been a Modern Family fan for a while now, I just love everything about the show. The mockumentary style of filming, bombshell Gloria, Manny’s wisdom beyond his years, Luke’s stupid remarks, Phil’s dad jokes. And Cam. Oh dear Cam… And what I think I love most is that I don’t really have a favorite character in the show, I just like the whole happy dysfunctional family.
In season 4, Haley goes off to college, Jay turns 65 while Gloria is expecting their first baby, Cam becomes a music teacher and Mitchell becomes a stay at home dad. A recipe for disaster/comedy if there ever was one.
I am a woman of many obsessions. When I was about eight, my room was plastered top to bottom with images of the Backstreet Boys. This included orange bedsheets with an extremely ugly cutout image of the band and matching alarm clock. By the time I was ten, the Backstreet Boys had to share the limelight with Leonardo DiCaprio. His boyish charm later resulted in a library full of photographs from the internet on our purple iMac. And also as an early teen, I didn’t just religiously watch Friends, I painted my walls lavender, like Monica’s living room.
I guess that we all have fond memories of teenage fandom, but the thing is that with me, it never really stopped. The object of my obsession and the way I deal with it may have slightly changed over the years (DiCaprio and Friends are still in my life) but I sometimes doubt if the intensity of it all did.
Rewind to september, when the Arctic Monkeys played a show for only 69 couples in my hometown Antwerp. I was lucky enough to get my hands on a ticket for this intimate event. The universe threw me a bone, and seeing as I knew the lyrics of “Do I Wanna Know?” by heart after just two days, I thought it was only fair. Working from home, I was able to play that “tune I found that makes me think of you somehow” on repeat.
So on that day, around five in the afternoon, I got massive stomach aches. I was so nervous that something would go “wrong” and I’d somehow miss the whole thing. I’d been listening to the band all day and could feel the concert fast approaching and my heartbeat rising every time my evening plans popped into my head (this has happened before). My body may be in its mid twenties, but in many ways I am clearly still 12. No dinner and several pills later, I stood in the rain shivering, waiting to get into Cafe Corsari, the TV show that hosted the event. Once inside, I doubt that I actually heard anything that was said before I saw the band, and when the concert finally started, the whole world sort of faded away for 14 songs.
A week ago, those same monkeys played in Brussels. Slightly bigger venue and less nerves, but once again, the world around me ceased to exist for that short period of time. And that’s probably the whole point of these obsessions, isn’t it? It’s pure escapism. I consider myself to have a happy life, but whenever I’m swooning over Alex Turner’s incredible lyrics and cute accent, I’m definitely not wondering how I’m ever going to pay for that new apartment. Whenever I see or hear something related to the band, my heart makes a tiny jump. And whenever I hear Fake Tales of San Francisco, well I still just HAVE to turn the music up and dance.
It’s pure bliss just melting away whenever you hear that voice, and for that reason, I don’t want to be 26 when it comes to fandom. I want to be 12 forever.
Image via Lady Lazarus
While browsing pinterest for pictures of my new girl crush Mindy Kaling (credit to Katrin for that one), I came across the lovely work of Emily Shur. Shur is an American photographer who takes amazing pictures varying from sports and portraits to fashion and entertainment. I simply love her celebrity portraits and fresh use of colour. Seeing the wide array of celebrities in her portfolio, I was kind of flabbergasted that I hadn’t heard about her before. I mean, seriously, her portfolio! Also, read this and try not to fall in love. Some of my favourites!
Aubrey Plaza & Eric Stonestreet
Cats at a pool in LA
The cast of Arrested Development
Glow (Inspired by James Turrell)
You like? Check out her complete entertainment portfolio here!
All pictures (c) Emily Shur